WHAT DOES LATINA GETS FUCKED INSIDE RUSSIA MEAN?

The delightfully deadpan heroine for the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his very own novel on the same name, could be compared to Amélie on Xanax. Her working day-to-day life  is filled with chance interactions along with a fascination with strangers, although, at 27, she’s more concerned with